Jacob M. Appel’s books include the story collection Einstein’s Beach Home, as well as the essay collection, Phoning Home. His fiction has appeared in AGNI, The Alaska Quarterly Review, The Gettysburg Review, The Missouri Review, and elsewhere. Appel has received the William-Faulkner-William Wisdom Award for best short story and a Sherwood Anderson Foundation grant. He teaches at the Gotham Writers’ Workshop and practices medicine in New York City.
Lisa B (Lisa Bernstein) is the author of the poetry book The Transparent Body (Wesleyan University Press) and the chapbook Anorexia (Five Fingers Poetry). Her poems have appeared in more than 60 anthologies and periodicals, including The Kenyon Review, Tikkun, Ploughshares, Lilith, Brilliant Corners, Field, and City Lights Review. She won creative writing grants from the National Endowment for the Arts and others. Lisa is also a jazz and neo-soul singer-songwriter-poet. Her sixth album, I Get A Kick: Cole Porter Reimagined, will be out in January 2018 on the Jazzed Media label.
Sean Bernard holds degrees from Arizona, Oregon State, and the Iowa Writers’ Workshop. He directs the creative writing program at the University of La Verne, where he also edits Prism Review. Bernard’s first novel, Studies in the Hereafter, is forthcoming from Red Hen Press, and his collection Desert Sonorous won the 2014 Juniper Prize and is forthcoming from UMass Press. Bernard’s fiction has appeared or is forthcoming in journals including Glimmer Train, LIT, Cutbank, Gigantic, Front Porch, and Quarterly West, among others.
Emma Bolden is the author of Malificae (GenPop Books, 2013), and medi(t)ations, forthcoming from Noctuary Press. She is also the author of four chapbooks of poetry and one of nonfiction. Her work has appeared in such journals as The Rumpus, Prairie Schooner, Conduit, the Indiana Review, the Greensboro Review, Feminist Studies, and Copper Nickel. She’s been featured on Poetry Daily and Verse Daily, and is an assistant professor of creative writing at Georgia Southern University.
Marion de Booy Wentzien was a recipient of the PEN Syndicated Fiction Award (twice) and The New Letters Literary Award. The Chicago Humanities for the Arts presented one of her stories in their Stories on Stage. Her stories have appeared in The Sonora Review, The San Francisco Chronicle (twice), Scholastic Books, Seventeen Magazine, Blue Penny Quarterly, Story Magazine, On the Page, Big Ugly Review, The Quotable, Prime Number, Bareback Lit, Tattoo Highway, Red Fez, Cossack Review, Citron Review, Extract(s), Drafthorse, Solstice, ROAR, Spry, Literary Orphans and other literary journals.
Amy Bridges is a television writer whose work has appeared on Discovery Health, TLC, and HGTV. She is the recipient of the San Francisco Writers Conference First Prize Award for Fiction. Her play, “Women of the Holocaust,” was published by the Kennedy Center in their Volume I anthology of Best Student One-Acts. She is the winner of the Edward Albee Playlab Award, presented by Edward Albee, for her play, The Day Maggie Blew Off Her Head. She is a Hedgebrook Alumna and holds a BA in Theatre from the University of Alaska, Anchorage. “An Obedient Girl” was a runner-up in the 2015 Editor’s Reprint Award.
Jennifer M. Colatosti holds an M.A. in Creative Writing from Ohio University and is currently a doctoral candidate at the University of Kansas, where she teaches literature and writing. Her work has appeared or is forthcoming in The MacGuffin and Southeast Review, among others.
Michael Collins’ poems have received Pushcart Prize nominations and appeared in more than 40 journals and magazines, including Grist, Kenning Journal, PANK, SOFTBLOW and Smartish Pace. His first chapbook, How to Sing when People Cut off your Head and Leave it Floating in the Water, won the Exact Change Press Chapbook Contest in 2014. A full-length collection, Psalmandala, was published later that year.
Rebecca Cook holds an MFA in poetry and creative nonfiction from Vermont College and teaches creative writing and literature at University of Tennessee, Chattanooga. Her recent books include the novel Click (New Rivers Press) and the poetry collection I Will Not Give Over (Aldrich Press). Cook’s writing has appeared in journals including Georgia Review, Pank, Poet Lore, New England Review, Story South, Seneca Review, and Carve, among many others.
Katie Cortese holds an MFA from Arizona State University and a PhD from Florida State. Her work has appeared or is forthcoming in Gulf Coast, Third Coast, Blackbird, Crab Orchard Review, Willow Springs, and The Baltimore Review, among other journals. Cortese currently teaches in the creative writing program at Texas Tech University where she also serves as the fiction editor for Iron Horse Literary Review.
Josh Denslow’s stories have appeared or are forthcoming in Third Coast, Cutbank, Wigleaf, The Dr. T.J. Eckleburg Review, and Black Clock, among others. Josh plays the drums in the band Borrisokane and edits at SmokeLong Quarterly. “Too Late for A Lot of Things” was a runner-up in the 2015 Editor’s Reprint Award.
Brian Doyle is an award-winning author, essayist, and editor of Portland Magazine at the University of Portland, in Oregon. Doyle’s writing has appeared in The Atlantic Monthly, The American Scholar, Georgia Review, and Best American Essays anthologies. He is the author of several books, notably the sprawling Oregon novel Mink River. His new novel The Plover will be published in April by St Martin’s Press.
Jennifer Fandel’s poetry has recently appeared or is forthcoming in Prairie Gold: An Anthology of the American Heartland, Measure, museum of americana, RHINO, Floating Bridge Review (a special issue on work selected by Washington State Poet Laureate Elizabeth Austen), The Baltimore Review, Midwestern Gothic, and A Face to Meet the Faces: An Anthology of Contemporary Persona Poetry. She lives in St. Louis and works in the publishing industry. Read a short interview with Jennifer on writing and her work, Here.
Brad Felver’s fiction has recently appeared in the Colorado Review, the Minnesota Review, and Beloit Fiction Journal among other journals. He teaches at Bowling Green State University.
Marta Ferguson is the co-editor of Drawn to Marvel: Poems from the Comic Books (Minor Arcana Press, 2014), the author of Mustang Sally Pays Her Debt to Wilson Pickett (Main Street Rag, 2005), and a manuscript reader for Spark Wheel Press (https://sparkwheelpress.com/site/). Her poetry has appeared in dozens of literary magazines, including The Cortland Review, Poet Lore, So to Speak, Spillway, Rattle, and Prairie Schooner. A former poetry editor for The Missouri Review, Marta has been the sole proprietor of Wordhound Writing & Editing Services, LLC (https://www.wordhound.com) for 13 years.
Ken Fifer’s poetry collections include Architectural Conditions (2012, with architect Larry Mitnick), After Fire, Water Presents, The Moss That Rides on the Back of the Rock, and Falling Man. His work has appeared in about one hundred different journals and magazines including Barrow Street, New Letters, Ploughshares, The Literary Review, and California Quarterly. Fifer holds an MA and PhD from Michigan and is a professor of English at Penn State University.
Laurie Frankel is an author, short-story writer, and humorist, who knows pain is the root of all comedy and is thrilled her life is so damn funny. Her books include I Wore a Thong for This?! and There’s a Pattern Here & It Ain’t Glen Plaid, about which Kirkus Reviews has this to say: “. . . laugh-out-loud funny . . . great practical suggestions . . . A quirky, earnest guide to regaining self-esteem for the modern woman.” Frankel’s literary work has appeared in a variety of journals including Shenandoah, The Literary Review, North American Review, Alaska Quarterly Review, and The Pedestal Magazine. She is the winner of the 2014 Time and Place Prize in Brittany, France. Contact her at: KickAssDatingAdvice.com.
Brandon French is the only daughter of an opera singer and a Spanish dancer, born in Chicago at the end of the Second World War. She has been assistant editor of Modern Teen Magazine, a topless Pink Pussycat cocktail waitress, an assistant professor of English at Yale, a published film scholar, a playwright and screenwriter, director of development at Columbia Pictures Television, an award-winning advertising copywriter and creative director, a psychoanalyst in private practice, and a mother. French was nominated for the Kirkwood Prize in Fiction at UCLA and her work has been published in literary journals including Blue Lyra Review, Thrice Fiction, Calliope, The Nassau Review, Specs, and Soundings Review, among many others.
Joshua Gage is an ornery curmudgeon from Cleveland. His first full-length collection, breaths, is available from VanZeno Press. Intrinsic Night, a collaborative project he wrote with J. E. Stanley, was published by Sam’s Dot Publishing. His most recent collection, Inhuman: Haiku from the Zombie Apocalypse, is available on Poet’s Haven Press. He is a graduate of the Low Residency MFA Program in Creative Writing at Naropa University. He has a penchant for Pendleton shirts, rye whiskey and any poem strong enough to yank the breath out of his lungs.
D. Gilson is the author of I Will Say This Exactly One Time: Essays (Sibling Rivalry, 2015); Crush (Punctum Books, 2014), with Will Stockton; Brit Lit (Sibling Rivalry, 2013); and Catch & Release (2012), winner of the Robin Becker Chapbook Prize. He is an Assistant Professor of English at Massachusetts College of Liberal Arts, and his work has appeared in PANK, The Indiana Review, The Rumpus, and as a notable essay in Best American Essays.
Sonia Greenfield is a poet, essayist, and fiction writer who calls Los Angeles home where she lives with her husband, son, and feral dog. Her poetry has appeared in a variety of publications including The Massachusetts Review, The Antioch Review, Rattle, and 2010 Best American Poetry, and her chapbook, Circus Gravitas, is forthcoming from Finishing Line Press. Her latest pieces of fiction can be found in PANK online, and her latest essays can be found on Role Reboot. She teaches writing at USC.
Linda Hillringhouse holds an MFA from Columbia University. She was a first-place winner of the Allen Ginsberg Poetry Award (2014) and the second-place winner of Nimrod’s Pablo Neruda Prize for Poetry (2012). She has received fellowships from the Macdowell Colony, Yaddo, and the Virginia Center for the Creative Arts. Her work has appeared inPrairie Schooner, The Paterson Literary Review, Nimrod International Journal of Prose and Poetry, and elsewhere.
Jody Hobbs Hesler lives and writes in the foothills of the Blue Ridge Mountains. Her fiction, articles, essays, and book reviews have appeared or are forthcoming in Gargoyle, The Georgia Review, [PANK], South85, Valparaiso Fiction Review, Steel Toe Review, Prime Number, Buffalo Almanack, Pearl, A Short Ride: Remembering Barry Hannah, Charlottesville Family Magazine, and other publications. One of Hesler’s stories was a Pushcart Prize nominee and several have appeared in regional prize anthologies. Find out more at jodyhobbshesler.com, and read a short interview with Jody here.
Gabriel Houck is originally from New Orleans, and studies in the creative writing PhD program at the University of Nebraska-Lincoln. He has MFAs in writing from the California Institute of the Arts and the University of Iowa, and his work appears inDrunken Boat, Flyway, Spectrum, Sweet, Western Humanities Review, American Literary Review, Grist, PANK, The Pinch, Moon City Review, The Adirondack Review, Fourteen Hills, Lunch Ticket, Fiction Southeast, and Mid American Review, where he was lucky enough to win the 2014 Sherwood Anderson Fiction Prize. He is currently working on his first short story collection, along with a nonfiction manuscript about a creationist museum in Kentucky.
Tim Hunt’s publications include the collections Fault Lines and The Tao of Twang and the chapbooks Redneck Yoga and Thirteen Ways of Talking to a Blackbird. Hunt’s poems have appeared in many journals including Epoch, CutBank, and others. He has been awarded the Chester H. Jones National Poetry Prize and twice nominated for the Pushcart Prize. He lives, oddly, in Normal, Illinois.
Born and raised in the Midwest, Judy Ireland’s poetry benefits from the verdancy and barefaced authenticity of that working class culture which keeps her work grounded and focused in the ordinary world where extraordinary ideas reside with great subtlety and power. Her first book, Cement Shoes, won the 2013 Sinclair Poetry Prize from Evening Street Press. Her poems have been published in Hotel Amerika, Calyx, Saranac Review, Cold Mountain, and Folio.
Matthew Kabik is the editor in chief of Third Point Press. He earned his MFA from Arcadia University and lives in Lancaster PA. His work appears in Structo Lit Mag, Duende, Pithead Chapel, and Luna Luna Mag, among others. Follow him on Twitter @mlkabik or visit his website for a complete pub listing: www.matchstickcircus.com.
Michael Kennedy (aka Malangeo) is an artist from New Zealand who creates wonderfully weird portraits of “creepy-cute” critters, fragile floral beings & zombie couch turnips. His work is a unique blend of traditional oil painting techniques and contemporary pop surreal style. Brought up on the irreverent humour of cartoons and comics like The Farside and Calvin & Hobbes; his artwork oozes whimsical charm, dark humour and pop culture references.
Steven Kenny was born in Peekskill, New York in 1962. He attended the Rhode Island School of Design, receiving a Bachelor of Fine Arts degree in 1984. His final year of art school was spent studying independently in Rome. First gaining notoriety as a freelance commercial illustrator, Steven later devoted his full attention to the fine arts. His award-winning paintings are exhibited in galleries and museums across the United States and Europe.
James R. Kincaid has been a Guggenheim Fellow, won teaching awards, and run two prestigious seminars for the National Endowment for the Humanities. Kincaid’s writing has appeared in Critical Inquiry, PMLA, Nineteenth-Century Literature, JEGP, ADE Bulletin, Yale Review, New York Times Book Review, and the New Yorker. Kincaid has published many non-fiction and academic books in addition to the novels A History of the African-American People (Proposed) by Strom Thurmond (co-authored with Percival Everett) and Lost (2012). James is Professor Emeritus of English and Aerol Arnold Professor Emeritus of English at the University of Southern California and currently teaches at Pitt.
Jen Knox is the author of After the Gazebo (Rain Mountain Press, 2015), and her short work can be found in The Adirondack Review, The Bombay Literary Magazine, Cleaver Magazine, Cosmonauts Avenue, Crannóg Magazine, Gargoyle Magazine, Istanbul Review, Room, and The Saturday Evening Post. She grew up in Ohio and now lives in San Antonio, where she teaches writing and directs the Writers-in-Communities Program at Gemini Ink. Find Knox here: http://www.jenknox.com
Sandra Kohler is the author of three collections of poetry: Improbable Music (Word Press, 2011), The Ceremonies of Longing (2002 AWP Award Series in Poetry; University of Pittsburgh Press, 2003), and The Country of Women (Calyx Books, 1995). Kohler’s poems have appeared in The Gettysburg Review, Prairie Schooner, Sequestrum, The Colorado Review, The Southern Review, The Missouri Review, Natural Bridge, The New Republic, The American Poetry Review, and others.
Len Krisak’s work has appeared in Agni, The Antioch Review, The Sewanee Review, The Hudson Review, PN Review, Raritan, The Southwest Review, Hayden’s Ferry Review, and elsewhere. His books include The Carmina of Catullus(Carcanet Press, 2014) Afterimage (Measure Press, 2014) Rilke: New Poems (Boydell & Brewer, 2015) Ovid’s Erotic Poems (University of Pennsylvania Press, 2014) and Virgil’s Eclogues (University of Pennsylvania Press, 2010) He is the recipient of the Richard Wilbur Prize, Robert Frost Prize, Robert Penn Warren Prize, and is a four-time champion on Jeopardy!
Judy Kroenfeld’s books include the poetry collections Shimmer (WordTech Editions in 2012) and Light Lowering in Diminished Sevenths (winner of the 2007 Litchfield Review Poetry Book Prize, 2nd edition, Antrim House, 2012), and the chapbook Ghost Nurseries (Finishing Line, 2005). Her poems have appeared in journals including Calyx, Cimarron Review, The American Poetry Journal, Natural Bridge, Poetry International, Spoon River Poetry Review, Valparaiso Poetry Review, Women’s Review of Books, and The Pedestal; and anthologies including Before There Is Nowhere to Stand: Palestine/Israel: Poets Respond to the Struggle (Lost Horse, 2012), and Beyond Forgetting: Poetry and Prose about Alzheimer’s Disease (Kent State, 2009). She is Lecturer Emerita, Creative Writing Dept., University of California, Riverside, and Associate Editor of the poetry journal, Poemeleon.
Andrea Lewis writes short stories, prose poems, and essays from her home on Vashon Island, Washington. Her work has appeared in Prairie Schooner, Cutthroat, Catamaran Literary Reader, and elsewhere. Two of her stories have been nominated for the Pushcart Prize. She is a founding member of Richard Hugo House, a place for writers in Seattle. More of her work is available at www.andrealewis.org.
S.D. Lishan’s writing has appeared in journals including the Kenyon Review, Arts & Letters, New England Review, and Your Impossible Voice, and his book, Body Tapestries, was awarded the Orphic Prize in Poetry by Dream Horse Press. Lishan teaches creative writing at The Ohio State University.
Hannah Loeb is a poet at the Iowa Writers’ Workshop. She graduated from Yale University in 2012 and received the Clapp Fellowship for poetry. Her work will appear in the Fall/Winter issue of Ninth Letter.
Kate Lucas writes and teaches in Minneapolis, MN. She was selected by Patricia Smith and Matt Rasmussen for the Loft Mentor Series Award in Poetry for 2014-15 and received an Honorable Mention for the series, selected by Cathy Park Hong and Peter Campion, in 2013. Her poems and essays have appeared in Sleet Magazine, rock paper scissors, and the anthology From the Pews in the Back. She holds an MFA from Hamline University and previously served as assistant poetry editor for Water~Stone Review.
Alexander Luft’s fiction has been published in The Adirondack Review, Midwestern Gothic, The Barely South Review, The Coachella Review and elsewhere. Luft’s journalistic work has appeared in multiple venues, and he is currently pursuing a Ph.D. at the University of Illinois-Chicago.
Nicholas Maistros holds an MFA in fiction from Colorado State University. His stories and essays have appeared or are forthcoming in Bellingham Review, Nimrod, The Literary Review, Sycamore Review, and Witness. Nicholas also writes book reviews for Colorado Review and is completing his first novel.
Favio Martinez (Curiot) is a visual artist currently based in Mexico. He creates vibrant mythical beasts which allude to Mexican handcrafts and folk art. The works are highly detailed, rich in color, symbolist and mystic. Inspired from Pre-Hispanic cultures, nature and urban contemporaneity, the artist explores the relationship between man and nature. Learn more about Favio at http://www.faviomartinez.com/
Audrey McCombs is an MFA student in creative writing and environment at Iowa State University, and the Creative Director for Flyway: Journal of Writing and Environment. Audrey’s work has been published in Pithead Chapel, Earthspeak Magazine, Pay Attention: a River of Stones, and Beaches and Parks from Monterey to Ventura. She holds a Master’s degree in Philosophy from Johns Hopkins University, and before going back to graduate school, she worked in natural resources management for many years. She has lived in Asia, Europe and Africa.
Adam McOmber is the author of The White Forest: A Novel (Simon and Schuster 2012) and This New & Poisonous Air: Stories (BOA Editions 2011). His work has appeared in Conjunctions, StoryQuarterly, The Fairy Tale Review, Third Coast, Quarterly West, The Greensboro Review, and Arts and Letters, among others. McOmber lives in Chicago and teaches literature and creative writing at Columbia College where he is also the associate editor of the literary magazine Hotel Amerika.
Amanda Moore holds an MFA from Cornell University, where she served as managing editor for EPOCH. Moore’s poems have appeared in journals such as Third Coast, Cream City Review, and 5AM, and in anthologies such as Best New Poets and Mamas & Papas. Moore currently lives in San Francisco with her husband, daughter, and stacks of high school English papers waiting to be graded.
Devin Murphy’s work has appeared or is forthcoming in Glimmer Train, The Michigan Quarterly Review, The Missouri Review, Shenandoah and The Chicago Tribune, as well as over fifty other literary journals and anthologies. Devin won the 2009 and 2010 Student Writing Contests at the Atlantic Monthly and holds an MFA and PhD from Colorado State University and University of Nebraska – Lincoln, respectively. Murphy currently works as an Assistant Professor of Creative Writing at Bradley University.
Kelly Nelson is the author of the forthcoming chapbook Rivers I Don’t Live By, winner of the 2013 Concrete Wolf Chapbook Award. She also has work forthcoming in I-70 Review, Bluestem, Boktor and Another Chicago Magazine. She holds a Ph.D. in Anthropology and teaches Interdisciplinary Studies at Arizona State University. Learn more about Kelly here.
Daniel O’Brien’s work has previously appeared in, or is waiting in the wings of, BLOOM, The Boiler, Gandy Dancer, andthe Susquehanna Review. His work was also named honorable mention for the 2013 Red Hen Press Poetry Award. O’Brien is currently an MFA candidate in poetry at The Ohio State University.
Leslie Ann O’Dell is a visual artist best known for her photography and photo-illustration. Her work focuses on the relationships between human and nature, and the treatment of subconscious feelings. O’Dell’s work has recently appeared in Black Tongue Review, Bizarre Magazine, Nightmare Magazine, and other publications. Learn more about Leslie here, or browse prints for sale.
Joseph O’Malley’s fiction has appeared in a score of journals, most recently in Colorado Review, A Public Space, Glimmer Train, and Crazyhorse. O’Malley was a Michener/Copernicus Fellow, and three of his stories have received Pushcart nominations. O’Malley was educated at Wayne State University, Boston College, and The University of Iowa, taught writing for four years at Boston College, and completed an M.F.A. in fiction at the Iowa Writers’ Workshop, where he was the recipient of a Houghton Mifflin Fellowship, a Michener/Copernicus Fellowship, and an Alice Sheets grant. O’Malley works as a hospital pharmacist.
Eric Pankey is an award-winning author of ten collections of poetry, most recently Dismantling the Angel. Pankey’s writing has appeared in journals including The New Yorker, The American Poetry Review, The Paris Review, The Iowa Review, Sequestrum, The Yale Review, and others. His new book, Crow-Work is forthcoming in 2015. Pankey is Heritage Chair in Writing at George Mason University.
Charles Rafferty has published poems in The New Yorker, Prairie Schooner, and The Southern Review. In 2009, he received a creative writing fellowship from the NEA. Rafferty’s tenth collection of poems, The Unleashable Dog, has just been published by Steel Toe Books. His collection of flash fictions, Saturday Night at Magellan’s, was published by Fomite Press. Charles currently directs the MFA program at Albertus Magnus College.
Helen Ruggieri is the author two books of poetry – The Kingdom Where Everybody Sings Off Key and Butterflies Under a Japanese Moon. She has an MFA from Penn State and recent creative nonfiction publications in journals including The Citron Review, Frogpond, and Haibun Today. Like much of Ruggieri’s writing, “Dead End” is a mixture of Japanese haibun and nonfiction; in this case, each section is inspired by actual events.
Daniel Schifrin’s fiction and essays have appeared, among other places, in McSweeney’s, the Los Angeles Times, San Francisco Chronicle, Westwind, Jet Fuel Review, Transfer, Hinchas de Poesia, and em. He has a been a visiting scholar at Stanford University, writer-in-residence at the Contemporary Jewish Museum, and a co-curator for the San Francisco Museum of Modern Art exhibition “Beyond Belief.”
Jennifer Sears’ fiction and non-fiction has appeared or is forthcoming in Fiction International, Barrelhouse, Ninth Letter, Fence, So to Speak, Mr. Beller’s Neighborhood, The Boston Globe, Gilded Serpent Journal of Middle Eastern Dance and Music, and other publications. She teaches yoga, belly dance, and writing in New York City.
Marian Kaplun Shapiro is the author of a professional book, Second Childhood (Norton, 1988), a poetry book, Players In The Dream, Dreamers In The Play (Plain View Press, 2007) and two chapbooks: Your Third Wish, (Finishing Line, 2007);and The End Of The World, Announced On Wednesday (Pudding House, 2007). She adores her two weeks in Paris with her true love – her husband of 55 years – every September. A resident of Lexington, she was named Senior Poet Laureate of Massachusetts in 2006, in 2008, in 2010, 2011, and 2014. She was nominated for the Pushcart Prize in 2012.
R.T. Smith’s stories have appeared in Best American Short Stories, New Stories from the South, Esquire, The Atlantic, Poetry, The Kenyon Review, and others. Smith has published four short story collections, most recently Sherburne (National Magazine Award for Fiction), and fourteen books of poems, most recently In the Night Orchard: New and Selected Poems. Three times he has won the Library of VA Poetry Book of the Year Awards. Smith is the former editor of Southern Humanities Review and current editor of Shenandoah.
Will Stockton holds a PhD from Indiana University and teaches English at Clemson University. He writes books and essays about how people in the Renaissance had sex, and poetry about how modern people do. With D. Gilson, he is the author of Crush (Punctum Books) and Gay Boys Write Straight Porn (Sibling Rivalry Press). His poems have appeared in journals including Assaracus, Bloom, Fourth River, PANK, and Weave. He self-promotes over at www.willinoverplus.virb.com.
J. T. Townley has published in Collier’s, Harvard Review, Hayden’s Ferry Review, Prairie Schooner, The Threepenny Review, and other magazines and journals. He holds an MFA in Creative Writing from the University of British Columbia and an MPhil in English from Oxford University. Townley teaches at the University of Virginia. To learn more, visit jttownley.com.
Emily Vizzo is a San Diego writer, editor, and educator currently serving as AME for Drunken Boat. She also volunteers with VIDA, Poetry International, and Hunger Mountain. Vizzo’s poems have been published or are forthcoming in FIELD, The Journal, The Normal School, and North American Review. She received note for an essay in Best American Essays 2013. Vizzo has an MFA from Vermont College of Fine Arts, and teaches yoga at the University of San Diego.
KA Webb teaches at UAB and edits for an atl-weekly in Birmingham, Ala. where she was nominated for the Pulitzer Prize for an investigative series on the Girl Scouts and trends in closing camps. Webb holds an MFA from UNCW, and in addition to several Southern news outlets, her work has appeared or is forthcoming in North American Review, Arts & Letters, Jabberwock Review, Quarter After Eight, So to Speak, and others.
Lori White earned her MFA in Creative Writing from Antioch University Los Angeles. Her story, “Gambling One Ridge Away” won first place in the 2013 Press 53 Open Award for Flash Fiction. Recent work has appeared in The Journal Online, Kenyon Review Online, and Pithead Chapel. She teaches English at Los Angeles Pierce College.
John Sibley Williams is the author of eight collections, most recently Controlled Hallucinations (FutureCycle Press, 2013). Four-time Pushcart nominee, he is the winner of the HEART Poetry Award and has been a finalist for the Rumi, Best of the Net, and The Pinch Poetry Prizes. John serves as editor of The Inflectionist Review and Board Member of the Friends of William Stafford. A few previous publishing credits include: American Literary Review, Third Coast, Nimrod International Journal, Rio Grande Review, Inkwell, Cider Press Review, Bryant Literary Review, Cream City Review, RHINO, and various anthologies. He lives in Portland, Oregon.
Dallas Woodburn is a 2013-14 Steinbeck Fellow in Creative Writing at San Jose State University. A three-time Pushcart Prize nominee, she recently won second place in the American Fiction Prize and her work is forthcoming in American Fiction Volume 13: The Best Unpublished Short Stories by American Writers (New Rivers Press). Her short story collection was a finalist for the 2012 Flannery O’Connor Award for Short Fiction; individual stories have appeared in Superstition Review, The Nashville Review, Louisiana Literature, Ayris, and Monkeybicycle, among others. She has been honored with the international Glass Woman Prize, the Brian Mexicott Playwriting Award, and a merit scholarship to attend the Key West Literary Seminar. A former fiction editor of Sycamore Review, she also served as editor of the anthology Dancing With The Pen: a collection of today’s best youth writing. Woodburn graduated with her MFA in Fiction from Purdue University and received her B.A. in English/Creative Writing from the University of Southern California, where she studied under Aimee Bender. She is also the founder of Write On! For Literacy, an organization that empowers young people through reading and writing endeavors: www.writeonbooks.org.