Jacob M. Appel’s books include the story collection Einstein’s Beach Home, as well as the essay collection, Phoning Home. His fiction has appeared in AGNI, The Alaska Quarterly Review, The Gettysburg Review, The Missouri Review, and elsewhere. Appel has received the William-Faulkner-William Wisdom Award for best short story and a Sherwood Anderson Foundation grant. He teaches at the Gotham Writers’ Workshop and practices medicine in New York City.
Lisa B (Lisa Bernstein) is the author of the poetry book The Transparent Body (Wesleyan University Press) and the chapbook Anorexia (Five Fingers Poetry). Her poems have appeared in more than 60 anthologies and periodicals, including The Kenyon Review, Tikkun, Ploughshares, Lilith, Brilliant Corners, Field, and City Lights Review. She won creative writing grants from the National Endowment for the Arts and others. Lisa is also a jazz and neo-soul singer-songwriter-poet. Her sixth album, I Get A Kick: Cole Porter Reimagined, will be out in January 2018 on the Jazzed Media label.
Roy Bentley, a finalist for the Miller Williams prize for Walking with Eve in the Loved City, has published eight books; including American Loneliness from Lost Horse Press, who is bringing out a new & selected. He is the recipient of a Creative Writing Fellowship from the National Endowment for the Arts and fellowships from the Florida Division of Cultural Affairs and the Ohio Arts Council. His poems have appeared in Cleaver, The Southern Review, Crazyhorse, and Shenandoah among others. Hillbilly Guilt, his latest, won the Hidden River Arts / Willow Run Poetry Book Award and will appear next year.
Sean Bernard holds degrees from Arizona, Oregon State, and the Iowa Writers’ Workshop. He directs the creative writing program at the University of La Verne, where he also edits Prism Review. Bernard’s first novel, Studies in the Hereafter, is forthcoming from Red Hen Press, and his collection Desert Sonorous won the 2014 Juniper Prize and is forthcoming from UMass Press. Bernard’s fiction has appeared or is forthcoming in journals including Glimmer Train, LIT, Cutbank, Gigantic, Front Porch, and Quarterly West, among others.
Alethea Black’s recent memoir (You’ve Been So Lucky Already, Little A, 2018) was reviewed by The New York Times. Her short story collection (I Knew You’d Be Lovely, Broadway, 2011) was chosen for the Barnes & Noble Discover program. Her work has appeared in The Kenyon Review, The Antioch Review, Narrative Magazine, and many others, and has been shortlisted for The Best American Short Stories and won the Arts & Letters prize. Born in Boston, she graduated from Harvard in 1991 and lives in Los Angeles.
Emma Bolden is the author of Malificae (GenPop Books, 2013), and medi(t)ations, forthcoming from Noctuary Press. She is also the author of four chapbooks of poetry and one of nonfiction. Her work has appeared in such journals as The Rumpus, Prairie Schooner, Conduit, the Indiana Review, the Greensboro Review, Feminist Studies, and Copper Nickel. She’s been featured on Poetry Daily and Verse Daily, and is an assistant professor of creative writing at Georgia Southern University.
Marion de Booy Wentzien was a recipient of the PEN Syndicated Fiction Award (twice) and The New Letters Literary Award. The Chicago Humanities for the Arts presented one of her stories in their Stories on Stage. Her stories have appeared in The Sonora Review, The San Francisco Chronicle (twice), Scholastic Books, Seventeen Magazine, Blue Penny Quarterly, Story Magazine, On the Page, Big Ugly Review, The Quotable, Prime Number, Bareback Lit, Tattoo Highway, Red Fez, Cossack Review, Citron Review, Extract(s), Drafthorse, Solstice, ROAR, Spry, Literary Orphans and other literary journals.
Amy Bridges is a television writer whose work has appeared on Discovery Health, TLC, and HGTV. She is the recipient of the San Francisco Writers Conference First Prize Award for Fiction. Her play, “Women of the Holocaust,” was published by the Kennedy Center in their Volume I anthology of Best Student One-Acts. She is the winner of the Edward Albee Playlab Award, presented by Edward Albee, for her play, The Day Maggie Blew Off Her Head. She is a Hedgebrook Alumna and holds a BA in Theatre from the University of Alaska, Anchorage.
James Brubaker is the author of two books Liner Notes and Pilot Season. His stories have appeared in venues includingZoetrope: All Story, Michigan Quarterly Review, Hobart, Booth, The Collagist, web Conjunctions, The Normal School, and Beloit Fiction Journal, among others. Brubaker teaches creative writing at Southeast Missouri State University and serves as Associate Editor of The Collapsar.
Jennifer M. Colatosti holds an M.A. in Creative Writing from Ohio University and is currently a doctoral candidate at the University of Kansas, where she teaches literature and writing. Her work has appeared or is forthcoming in The MacGuffin and Southeast Review, among others.
Michael Collins’ poems have received Pushcart Prize nominations and appeared in more than 40 journals and magazines, including Grist, Kenning Journal, PANK, SOFTBLOW and Smartish Pace. His first chapbook, How to Sing when People Cut off your Head and Leave it Floating in the Water, won the Exact Change Press Chapbook Contest in 2014. A full-length collection, Psalmandala, was published later that year.
Rebecca Cook holds an MFA in poetry and creative nonfiction from Vermont College and teaches creative writing and literature at University of Tennessee, Chattanooga. Her recent books include the novel Click (New Rivers Press) and the poetry collection I Will Not Give Over (Aldrich Press). Cook’s writing has appeared in journals including Georgia Review, Pank, Poet Lore, New England Review, Story South, Seneca Review, and Carve, among many others.
Angela Corbett is from Ohio. Her short story, “Grievers” won the 2015 Sonora Review fiction contest judged by Stuart Dybek and was nominated for a Pushcart Prize. She has her my MFA in Fiction from California State University, Fresno where she worked as Online Managing Editor for the Normal School. Someday, she’d like to run away from all this and go to clown school.
Katie Cortese holds an MFA from Arizona State University and a PhD from Florida State. Her work has appeared or is forthcoming in Gulf Coast, Third Coast, Blackbird, Crab Orchard Review, Willow Springs, and The Baltimore Review, among other journals. Cortese currently teaches in the creative writing program at Texas Tech University where she also serves as the fiction editor for Iron Horse Literary Review.
Charlotte d’Huart grew up in France and England and lived as a teacher in Hanoi and Buenos Aires before settling in San Francisco, where she works as an editor, writes, and is constantly preoccupied with what to cook next.
Allison A. deFreese is a poet and literary translator. She has traveled to or lived in places such as Abilene, Aguascalientes; Ambato; Anacortes; Andalucía; Andorra; Antofagasta; Arequipa, and Asunción, and previously published work in Analecta, Anomaly, Apofenie, Arkana, Asymptote, and Atención.
Josh Denslow’s stories have appeared or are forthcoming in Third Coast, Cutbank, Wigleaf, The Dr. T.J. Eckleburg Review, and Black Clock, among others. Josh plays the drums in the band Borrisokane and edits at SmokeLong Quarterly.
Rochelle Distelheim’s work has appeared in North American Review, Nimrod, Ascent, Press 53 Anthology, “Everywhere Stories,” Other Voices, StoryQuarterly, Salamander, JewishFiction.net, PersimmonTree.org, and awarded the Katharine Anne Porter Prize, Salamander Second prize, Finalist, Glimmer Train’s Emerging Writers, Illinois Arts Council Literary Awards and Fellowships, Ragdale Foundation Fellowships, Nominations for The Best American Short Stories and The PushCart Press Prize.
Will Donnelly’s work has appeared previously or is forthcoming in Zone 3, Barrelhouse, Silk Road, [PANK], The Potomac Review, and elsewhere. Will is a fiction editor for Juked. He has an MFA from the Iowa Writers’ Workshop and a PhD from the University of Houston. He teaches creative writing at Berry College in Rome, Georgia.
Madison Dorsey is a sophomore studying at Jacksonville University with a major in Communication Sciences and Disorders. She has previously worked as the Poetry Editor and Community Engagement Manager at Élan, an international student literary magazine. Dorsey’s fiction and poetry have also appeared in Élan, The Aquarian, and placed in the top three in the Young Authors Competition with Columbia College in Chicago. Dorsey wants to thank her parents and her teachers, Ms. Flaisig and Mrs. Melanson for all giving her the space to cultivate her voice. She is very excited to have her work in Sequestrum and to have this poem among such a high caliber of art.
Brian Doyle is an award-winning author, essayist, and editor of Portland Magazine at the University of Portland, in Oregon. Doyle’s writing has appeared in The Atlantic Monthly, The American Scholar, Georgia Review, and Best American Essays anthologies. He is the author of several books, notably the sprawling Oregon novel Mink River. His new novel The Plover will be published in April by St Martin’s Press.
Jordan Farmer received a Ph.D. in English from the University of Nebraska-Lincoln. His stories have appeared in the Southwest Review, Southern Humanities Review, The Baltimore Review, Pembroke Magazine, Day One Magazine and many other publications. His novel, The Pallbearer, will be released November 6th 2018 (Sky Horse Publishing).
Jennifer Fandel’s poetry has recently appeared or is forthcoming in Prairie Gold: An Anthology of the American Heartland, Measure, museum of americana, RHINO, Floating Bridge Review (a special issue on work selected by Washington State Poet Laureate Elizabeth Austen), The Baltimore Review, Midwestern Gothic, and A Face to Meet the Faces: An Anthology of Contemporary Persona Poetry. She lives in St. Louis and works in the publishing industry.
Jen Fawkes lives in Little Rock, Arkansas. Her work has appeared in One Story, The Iowa Review, Shenandoah, Joyland, Michigan Quarterly Review, The Massachusetts Review, Mid-American Review, and elsewhere. Her stories have won prizes from Washington Square, Writers @ Work, Blue Earth Review, and Salamander. She holds an MFA from Hollins University, a BA from Columbia University, and is at work on a PhD in Literature and Creative Writing, at the University of Cincinnati.
Brad Felver’s fiction has recently appeared in the Colorado Review, the Minnesota Review, and Beloit Fiction Journal among other journals. He teaches at Bowling Green State University.
Marta Ferguson is the co-editor of Drawn to Marvel: Poems from the Comic Books (Minor Arcana Press, 2014), the author of Mustang Sally Pays Her Debt to Wilson Pickett (Main Street Rag, 2005), and a manuscript reader for Spark Wheel Press (https://sparkwheelpress.com/site/). Her poetry has appeared in dozens of literary magazines, including The Cortland Review, Poet Lore, So to Speak, Spillway, Rattle, and Prairie Schooner. A former poetry editor for The Missouri Review, Marta has been the sole proprietor of Wordhound Writing & Editing Services, LLC for 13 years.
Ken Fifer’s poetry collections include Architectural Conditions (2012, with architect Larry Mitnick), After Fire, Water Presents, The Moss That Rides on the Back of the Rock, and Falling Man. His work has appeared in about one hundred different journals and magazines including Barrow Street, New Letters, Ploughshares, The Literary Review, and California Quarterly. Fifer holds an MA and PhD from Michigan and is a professor of English at Penn State University.
Barbara A. Fischer’s stories have appeared in Nimrod International, Louisville Review, Tampa Review, Calyx, and the Sycamore Review, among others.
H.E. Francis is author of two novels and four collections of stories, many reprinted in anthologies, notably the O. Henry, Best American, and Pushcart Prize volumes. He lives in Huntsville and Madrid and translates distinguished Argentine literature. His collections have won the Iowa school of Letters Award and other awards.
Laurie Frankel is an author, short-story writer, and humorist, who knows pain is the root of all comedy and is thrilled her life is so damn funny. Her books include I Wore a Thong for This?! and There’s a Pattern Here & It Ain’t Glen Plaid, about which Kirkus Reviews has this to say: “. . . laugh-out-loud funny . . . great practical suggestions . . . A quirky, earnest guide to regaining self-esteem for the modern woman.” Frankel’s literary work has appeared in a variety of journals including Shenandoah, The Literary Review, North American Review, Alaska Quarterly Review, and The Pedestal Magazine. She is the winner of the 2014 Time and Place Prize in Brittany, France.
George Franklin is the author of Traveling for No Good Reason (winner of the Sheila-Na-Gig Editions competition in 2018), a bilingual collection, Among the Ruins / Entre las ruinas (Katakana Editores), and a broadside, “Shreveport” (Broadsided Press). He is also the winner of the 2020 Stephen A. DiBiase Poetry Prize. His individual publications include: Into the Void, The Threepenny Review, Salamander, Pedestal Magazine, Cagibi, and The American Journal of Poetry, and poems are forthcoming in The Woven Tale Press Magazine and Cider Press Review. He practices law in Miami, teaches poetry workshops in Florida state prisons and is the co-translator, along with the author, of Ximena Gómez’s Último día/Last Day (Katakana Editores). His chapbook, Travels of the Angel of Sorrow, is forthcoming from Blue Cedar Press, and a new full-length collection, Noise of the World, is forthcoming from Sheila-Na-Gig Editions.
Brandon French is the only daughter of an opera singer and a Spanish dancer, born in Chicago at the end of the Second World War. She has been assistant editor of Modern Teen Magazine, a topless Pink Pussycat cocktail waitress, an assistant professor of English at Yale, a published film scholar, a playwright and screenwriter, director of development at Columbia Pictures Television, an award-winning advertising copywriter and creative director, a psychoanalyst in private practice, and a mother. French was nominated for the Kirkwood Prize in Fiction at UCLA and her work has been published in literary journals including Blue Lyra Review, Thrice Fiction, Calliope, The Nassau Review, Specs, and Soundings Review, among many others.
Joshua Gage is an ornery curmudgeon from Cleveland. His first full-length collection, breaths, is available from VanZeno Press. Intrinsic Night, a collaborative project he wrote with J. E. Stanley, was published by Sam’s Dot Publishing. His most recent collection, Inhuman: Haiku from the Zombie Apocalypse, is available on Poet’s Haven Press. He is a graduate of the Low Residency MFA Program in Creative Writing at Naropa University. He has a penchant for Pendleton shirts, rye whiskey and any poem strong enough to yank the breath out of his lungs.
Robert René Galván, born in San Antonio,resides in New York City where he works as a professional musician and poet. His last collection of poems is entitled, Meteors, published by Lux Nova Press. His poetry was recently featured in Adelaide Literary Magazine, Azahares Literary Magazine, Gyroscope, Hawaii Review, Hispanic Culture Review, Newtown Review, Panoply, Prachya Review, Shoreline of Infinity, Somos en Escrito, Stillwater Review, West Texas Literary Review, and the Winter 2018 issue of UU World. He is a Shortlist Winner Nominee in the 2018 Adelaide Literary Award for Best Poem. Recently, his poems are featured in Puro ChicanX Writers of the 21st Century and in Yellow Medicine Review: A Journal of Indigenous Literature, Art and Thought. His forthcoming books of poetry are Undesirable: Race and Remembrance, Somos en Escrito Foundation Press, and The Shadow of Time, Adelaide Books.
Sarah Gerkensmeyer’s story collection, What You Are Now Enjoying, was selected by Stewart O’Nan as winner of the 2012 Autumn House Press Fiction Prize, longlisted for the Frank O’Connor International Short Story Award, and chosen as winner of Late Night Library’s Debut-litzer Prize. A Pushcart Prize nominee for both fiction and poetry and a finalist for the Katherine Anne Porter Prize in Short Fiction and the Italo Calvino Prize for Fabulist Fiction, Sarah has received scholarships to the Bread Loaf Writers’ Conference, Ragdale, Grub Street, SAFTA’s Firefly Farms, and the Vermont Studio Center. Her stories and poetry have appeared in American Short Fiction, Guernica, The New Guard, The Massachusetts Review, Hayden’s Ferry Review, B O D Y, Hobart, and Cream City Review, among others. Her story “Ramona” was featured in a Huffington Post piece on flash fiction and also selected by Lily Hoang for the 2014 Best of the Net Anthology. Sarah was the 2012-13 Pen Parentis Fellow. She received her MFA in fiction from Cornell University and now lives and writes in her home state of Indiana, where she is a winner of the Indiana Authors Award.
D. Gilson is the author of I Will Say This Exactly One Time: Essays (Sibling Rivalry, 2015); Crush (Punctum Books, 2014), with Will Stockton; Brit Lit (Sibling Rivalry, 2013); and Catch & Release (2012), winner of the Robin Becker Chapbook Prize. He is an Assistant Professor of English at Massachusetts College of Liberal Arts, and his work has appeared in PANK, The Indiana Review, The Rumpus, and as a notable essay in Best American Essays.
Sonia Greenfield is a poet, essayist, and fiction writer who calls Los Angeles home where she lives with her husband, son, and feral dog. Her poetry has appeared in a variety of publications including The Massachusetts Review, The Antioch Review, Rattle, and 2010 Best American Poetry, and her chapbook, Circus Gravitas, is forthcoming from Finishing Line Press. Her latest pieces of fiction can be found in PANK online, and her latest essays can be found on Role Reboot. She teaches writing at USC.
Ryane Nicole Granados is a Los Angeles native and she earned her MFA in Creative Writing from Antioch University, Los Angeles. Her work has been featured in various publications including Pangyrus, The Manifest-Station, Forth Magazine, The Nervous Breakdown, The Atticus Review and LA Parent Magazine. Her storytelling has also been nominated for a Pushcart Prize and showcased in KPCC’s live series Unheard LA.
Matt Hall has an MFA from Virginia Tech. Hall’s fiction has appeared in Redivider, The McNeese Review, and Fiction Southeast. He currently teaches at Monmouth University in New Jersey.
Works by Elizabeth Logan Harris have appeared in Colorado Review, Conjunctions, Fiction Southeast, Glimmer Train, Longreads, Mississippi Review (2018 Nonfiction Prize), New England Review, The Rupture, and elsewhere.
Lois Marie Harrod’s most recent collection Nightmares of the Minor Poet appears in June from Five Oaks. Her chapbook And She Took the Heart appeared in January 2016, and her 13th and 14th poetry collections, Fragments from the Biography of Nemesis (Cherry Grove Press) and the chapbook How Marlene Mae Longs for Truth (Dancing Girl Press) appeared in 2013. She is widely published in literary journals and online ezines from American Poetry Review to Zone 3. She teaches Creative Writing at The College of New Jersey.
Linda Hillringhouse holds an MFA from Columbia University. She was a first-place winner of the Allen Ginsberg Poetry Award (2014) and the second-place winner of Nimrod’s Pablo Neruda Prize for Poetry (2012). She has received fellowships from the Macdowell Colony, Yaddo, and the Virginia Center for the Creative Arts. Her work has appeared inPrairie Schooner, The Paterson Literary Review, Nimrod International Journal of Prose and Poetry, and elsewhere.
Joshua J. Hines spent four years as a military journalist in the U.S. Marine Corps. He has been published in The 2015 Piney Dark Collection, The Subplots Lesson’s Chapbook, and The Blue Route: A national literary journal for undergraduate writers, and was also awarded the SFA 2015 Literary Award for Best Creative Nonfiction.
Jody Hobbs Hesler lives and writes in the foothills of the Blue Ridge Mountains. Her fiction, articles, essays, and book reviews have appeared or are forthcoming in Gargoyle, The Georgia Review, [PANK], South85, Valparaiso Fiction Review, Steel Toe Review, Prime Number, Buffalo Almanack, Pearl, A Short Ride: Remembering Barry Hannah, Charlottesville Family Magazine, and other publications. One of Hesler’s stories was a Pushcart Prize nominee and several have appeared in regional prize anthologies.
Gabriel Houck is originally from New Orleans, and studies in the creative writing PhD program at the University of Nebraska-Lincoln. He has MFAs in writing from the California Institute of the Arts and the University of Iowa, and his work appears inDrunken Boat, Flyway, Spectrum, Sweet, Western Humanities Review, American Literary Review, Grist, PANK, The Pinch, Moon City Review, The Adirondack Review, Fourteen Hills, Lunch Ticket, Fiction Southeast, and Mid American Review, where he was lucky enough to win the 2014 Sherwood Anderson Fiction Prize. He is currently working on his first short story collection, along with a nonfiction manuscript about a creationist museum in Kentucky.
Adam Houle is the author of Stray (Lithic Press 2017), a finalist for the Colorado Book Award. His poems have appeared in AGNI, Shenandoah, Baltimore Review, and elsewhere. He currently lives in South Carolina, where he is an assistant professor of English at Francis Marion University.
Tim Hunt’s publications include the collections Fault Lines and The Tao of Twang and the chapbooks Redneck Yoga and Thirteen Ways of Talking to a Blackbird. Hunt’s poems have appeared in many journals including Epoch, CutBank, and others. He has been awarded the Chester H. Jones National Poetry Prize and twice nominated for the Pushcart Prize. He lives, oddly, in Normal, Illinois.
Saba Z Husain was a finalist for the 2020 X.J. Kennedy Poetry Prize, and semifinalist for the 2020 Philip Levine Prize and Gulf Coast Prize for Poetry. Her work has appeared in several anthologies and journals including Bellevue Review, Barrow Street, Bangalore Review, Cimarron Review, Texas Review, Dallas Review, Natural Bridge, Glass Poetry and elsewhere. Saba studied Creative Writing at University of Houston.
Nicole Inge received her MFA from George Mason University. She has worked with Fall for the Book, was the assistant poetry editor for So to Speak, and teaches elementary schoolers creative writing. Her work has appeared in Remington Review, Moonchild Magazine, and Cauldron Anthology.
Anthony Immergluck is a writer, critic, musician, and publishing professional with an MFA in Creative Writing (Poetry) from NYU-Paris. Some of his recent work appears or is forthcoming in Nimrod International Journal, Sonora Review, Rumble Fish Quarterly, World Nomads, and the Los Angeles Review of Books. Anthony works as a traveling representative for W. W. Norton and as the Senior Marketing Associate for Tupelo Press. Originally from Chicago, he now lives and works out of Madison, Wisconsin.
Born and raised in the Midwest, Judy Ireland’s poetry benefits from the verdancy and barefaced authenticity of that working class culture which keeps her work grounded and focused in the ordinary world where extraordinary ideas reside with great subtlety and power. Her first book, Cement Shoes, won the 2013 Sinclair Poetry Prize from Evening Street Press. Her poems have been published in Hotel Amerika, Calyx, Saranac Review, Cold Mountain, and Folio.
Andrea Jurjević is a native of Croatia. Her poetry collection Small Crimes won the 2015 Philip Levine Prize (Anhinga Press, 2017). Her poems appear in journals such as Epoch, TriQuarterly, Raleigh Review, The Missouri Review, and her translations of contemporary Croatian poetry in Gulf Coast, Lunch Ticket, and Drunken Boat. She is the recipient of the 2013 Robinson Jeffers Tor Prize, the 2015 RHINO Translation Prize, and a Tennessee Williams Scholarship in Poetry from the Sewanee Writers’ Conference. She teaches English at Georgia State University where she graduated from the MFA Program in Creative Writing.
Matthew Kabik is the editor in chief of Third Point Press. He earned his MFA from Arcadia University and lives in Lancaster PA. His work appears in Structo Lit Mag, Duende, Pithead Chapel, and Luna Luna Mag, among others.
James S Kendall’s fiction has appeared in The Antioch Review, West Branch, Blood Tree Literature, and has been long-listed for the Santa Fe Writer’s Project Award. West is also a recipient of a Loft Literary Center Mentorship Award. James was born in New York City and grew up in Florida, Indiana, rural Pennsylvania, and all the roads between. He now live in Minneapolis with his wife and son.
Michael Kennedy (aka Malangeo) is an artist from New Zealand who creates wonderfully weird portraits of “creepy-cute” critters, fragile floral beings & zombie couch turnips. His work is a unique blend of traditional oil painting techniques and contemporary pop surreal style. Brought up on the irreverent humour of cartoons and comics like The Farside and Calvin & Hobbes; his artwork oozes whimsical charm, dark humour and pop culture references.
Steven Kenny was born in Peekskill, New York in 1962. He attended the Rhode Island School of Design, receiving a Bachelor of Fine Arts degree in 1984. His final year of art school was spent studying independently in Rome. First gaining notoriety as a freelance commercial illustrator, Steven later devoted his full attention to the fine arts. His award-winning paintings are exhibited in galleries and museums across the United States and Europe.
James R. Kincaid has been a Guggenheim Fellow, won teaching awards, and run two prestigious seminars for the National Endowment for the Humanities. Kincaid’s writing has appeared in Critical Inquiry, PMLA, Nineteenth-Century Literature, JEGP, ADE Bulletin, Yale Review, New York Times Book Review, and the New Yorker. Kincaid has published many non-fiction and academic books in addition to the novels A History of the African-American People (Proposed) by Strom Thurmond (co-authored with Percival Everett) and Lost (2012). James is Professor Emeritus of English and Aerol Arnold Professor Emeritus of English at the University of Southern California and currently teaches at Pitt.
Jen Knox is the author of After the Gazebo (Rain Mountain Press, 2015), and her short work can be found in The Adirondack Review, The Bombay Literary Magazine, Cleaver Magazine, Cosmonauts Avenue, Crannóg Magazine, Gargoyle Magazine, Istanbul Review, Room, and The Saturday Evening Post. She grew up in Ohio and now lives in San Antonio, where she teaches writing and directs the Writers-in-Communities Program at Gemini Ink.
Sandra Kohler is the author of three collections of poetry: Improbable Music (Word Press, 2011), The Ceremonies of Longing (2002 AWP Award Series in Poetry; University of Pittsburgh Press, 2003), and The Country of Women (Calyx Books, 1995). Kohler’s poems have appeared in The Gettysburg Review, Prairie Schooner, Sequestrum, The Colorado Review, The Southern Review, The Missouri Review, Natural Bridge, The New Republic, The American Poetry Review, and others.
Len Krisak’s work has appeared in Agni, The Antioch Review, The Sewanee Review, The Hudson Review, PN Review, Raritan, The Southwest Review, Hayden’s Ferry Review, and elsewhere. His books include The Carmina of Catullus(Carcanet Press, 2014) Afterimage (Measure Press, 2014) Rilke: New Poems (Boydell & Brewer, 2015) Ovid’s Erotic Poems (University of Pennsylvania Press, 2014) and Virgil’s Eclogues (University of Pennsylvania Press, 2010) He is the recipient of the Richard Wilbur Prize, Robert Frost Prize, Robert Penn Warren Prize, and is a four-time champion on Jeopardy!
Judy Kroenfeld’s books include the poetry collections Shimmer (WordTech Editions in 2012) and Light Lowering in Diminished Sevenths (winner of the 2007 Litchfield Review Poetry Book Prize, 2nd edition, Antrim House, 2012), and the chapbook Ghost Nurseries (Finishing Line, 2005). Her poems have appeared in journals including Calyx, Cimarron Review, The American Poetry Journal, Natural Bridge, Poetry International, Spoon River Poetry Review, Valparaiso Poetry Review, Women’s Review of Books, and The Pedestal; and anthologies including Before There Is Nowhere to Stand: Palestine/Israel: Poets Respond to the Struggle (Lost Horse, 2012), and Beyond Forgetting: Poetry and Prose about Alzheimer’s Disease (Kent State, 2009). She is Lecturer Emerita, Creative Writing Dept., University of California, Riverside, and Associate Editor of the poetry journal, Poemeleon.
Sara Lefsyk received her MFA from New England College in 2009. Her first book – We Are Hopelessly Small and Modern Birds (Black Lawrence Press) – was released in 2018. She is Managing Editor of Trio House Press and Head Seamstress and Creator of Ethel Zine and Micro Press. Past publications include such places as Tinderbox, The Greensboro Review, The New Orleans Review, Phoebe, Anthem Journal, and Bateau, among others.
Andrea Lewis writes short stories, prose poems, and essays from her home on Vashon Island, Washington. Her work has appeared in Prairie Schooner, Cutthroat, Catamaran Literary Reader, and elsewhere. Two of her stories have been nominated for the Pushcart Prize. She is a founding member of Richard Hugo House, a place for writers in Seattle.
S.D. Lishan’s writing has appeared in journals including the Kenyon Review, Arts & Letters, New England Review, and Your Impossible Voice, and his book, Body Tapestries, was awarded the Orphic Prize in Poetry by Dream Horse Press. Lishan teaches creative writing at The Ohio State University.
Hannah Loeb is a poet at the Iowa Writers’ Workshop. She graduated from Yale University in 2012 and received the Clapp Fellowship for poetry. Her work will appear in the Fall/Winter issue of Ninth Letter.
Nathan Long’s work has appeared in various journals, including Tin House, Story Quarterly, Glimmer Train, and Wilde. His work also appears on NPR and in anthologies such as Strange Tales V and Surreal South. Long lives in Philadelphia and teaches at Stockton University.
Kate Lucas writes and teaches in Minneapolis, MN. She was selected by Patricia Smith and Matt Rasmussen for the Loft Mentor Series Award in Poetry for 2014-15 and received an Honorable Mention for the series, selected by Cathy Park Hong and Peter Campion, in 2013. Her poems and essays have appeared in Sleet Magazine, rock paper scissors, and the anthology From the Pews in the Back. She holds an MFA from Hamline University and previously served as assistant poetry editor for Water~Stone Review.
Alexander Luft’s fiction has been published in The Adirondack Review, Midwestern Gothic, The Barely South Review, The Coachella Review and elsewhere. Luft’s journalistic work has appeared in multiple venues, and he is currently pursuing a Ph.D. at the University of Illinois-Chicago.
Nicholas Maistros holds an MFA in fiction from Colorado State University. His stories and essays have appeared or are forthcoming in Bellingham Review, Nimrod, The Literary Review, Sycamore Review, and Witness. Nicholas also writes book reviews for Colorado Review and is completing his first novel.
Favio Martinez (Curiot) is a visual artist currently based in Mexico. He creates vibrant mythical beasts which allude to Mexican handcrafts and folk art. The works are highly detailed, rich in color, symbolist and mystic. Inspired from Pre-Hispanic cultures, nature and urban contemporaneity, the artist explores the relationship between man and nature. Learn more about Favio at http://www.faviomartinez.com/
Audrey McCombs is an MFA student in creative writing and environment at Iowa State University, and the Creative Director for Flyway: Journal of Writing and Environment. Audrey’s work has been published in Pithead Chapel, Earthspeak Magazine, Pay Attention: a River of Stones, and Beaches and Parks from Monterey to Ventura. She holds a Master’s degree in Philosophy from Johns Hopkins University, and before going back to graduate school, she worked in natural resources management for many years. She has lived in Asia, Europe and Africa.
Adam McOmber is the author of The White Forest: A Novel (Simon and Schuster 2012) and This New & Poisonous Air: Stories (BOA Editions 2011). His work has appeared in Conjunctions, StoryQuarterly, The Fairy Tale Review, Third Coast, Quarterly West, The Greensboro Review, and Arts and Letters, among others. McOmber lives in Chicago and teaches literature and creative writing at Columbia College where he is also the associate editor of the literary magazine Hotel Amerika.
Abigail Mitchell is a writer and singer living in New York. Her formal education was in music performance; her informal education consists of reading every book she can find. Mitchell sings professionally, including in the chorus of the Metropolitan Opera, and writes in her apartment in Upper Manhattan, supervised by her cat, Earl Grey.
Amanda Moore holds an MFA from Cornell University, where she served as managing editor for EPOCH. Moore’s poems have appeared in journals such as Third Coast, Cream City Review, and 5AM, and in anthologies such as Best New Poets and Mamas & Papas. Moore currently lives in San Francisco with her husband, daughter, and stacks of high school English papers waiting to be graded.
Ellen Birkett Morris’s collection of short stories, Lost Girls, is forthcoming in September 2020. Her fiction has appeared in Shenandoah, Antioch Review, Notre Dame Review, South Carolina Review, and Santa Fe Literary Review, among other journals. She is a winner of the Bevel Summers Prize for short fiction. Morris is a recipient of a 2013 Al Smith Fellowship from the Kentucky Arts Council in support of her fiction.
Chris Mpofu is a Zimbabwean-Canadian emerging writer who lives in Saskatoon. He is working on a novel that explores the experiences of those who have left their countries of origin to settle elsewhere. One of his stories appears in Little Rose Magazine, and another is due to be published in Obsidian: Literature & Arts in the African Diaspora. He has had stories shortlisted in the Writers’ Union of Canada Annual Short Prose Competition and the CBC Short Story Contest.
Devin Murphy’s work has appeared or is forthcoming in Glimmer Train, The Michigan Quarterly Review, The Missouri Review, Shenandoah and The Chicago Tribune, as well as over fifty other literary journals and anthologies. Devin won the 2009 and 2010 Student Writing Contests at the Atlantic Monthly and holds an MFA and PhD from Colorado State University and University of Nebraska – Lincoln, respectively. Murphy currently works as an Assistant Professor of Creative Writing at Bradley University.
María Negroni (Rosario, Argentina) has published over 20 books, including poetry, nonfiction and novels. Islandia, Night Journey, Andanza (The Tango Lyrics), Mouth of Hell, and The Annunciation have appeared in English, and her work has also been translated into Swedish, Portuguese, Italian, and French. María Negroni received a Guggenheim fellowship for poetry in 1994, a Rockefeller Foundation fellowship in 1998, the Fundación Octavio Paz fellowship for poetry in 2001, and The New York Foundation for the Arts fellowship in 2005. She also received a National Book Award for her collection of poems El viaje de la noche, a PEN Award for Islandia as best book of poetry in translation (New York 2001), and the Premio Internacional de Ensayo y Narrativa de Siglo XXI for her book Galería Fantástica. Translations of her books Elegía Joseph Cornell/Elegy for Joseph Cornell and Archivo Dickinson/The Dickinson Archive (both translated by Allison A. deFreese) are forthcoming from Dalkey Archive Press in 2020-2021. She taught at Sarah Lawrence College from 1999 to 2014, and is now director of Argentina’s first creative writing program, at Universidad Nacional de Tres de Febrero.
Kelly Nelson is the author of the forthcoming chapbook Rivers I Don’t Live By, winner of the 2013 Concrete Wolf Chapbook Award. She also has work forthcoming in I-70 Review, Bluestem, Boktor and Another Chicago Magazine. She holds a Ph.D. in Anthropology and teaches Interdisciplinary Studies at Arizona State University.
Daniel O’Brien’s work has previously appeared in, or is waiting in the wings of, BLOOM, The Boiler, Gandy Dancer, andthe Susquehanna Review. His work was also named honorable mention for the 2013 Red Hen Press Poetry Award. O’Brien is currently an MFA candidate in poetry at The Ohio State University.
Joseph O’Malley’s fiction has appeared in a score of journals, most recently in Colorado Review, A Public Space, Glimmer Train, and Crazyhorse. O’Malley was a Michener/Copernicus Fellow, and three of his stories have received Pushcart nominations. O’Malley was educated at Wayne State University, Boston College, and The University of Iowa, taught writing for four years at Boston College, and completed an M.F.A. in fiction at the Iowa Writers’ Workshop, where he was the recipient of a Houghton Mifflin Fellowship, a Michener/Copernicus Fellowship, and an Alice Sheets grant. O’Malley works as a hospital pharmacist.
Eric Pankey is an award-winning author of ten collections of poetry, most recently Dismantling the Angel. Pankey’s writing has appeared in journals including The New Yorker, The American Poetry Review, The Paris Review, The Iowa Review, Sequestrum, The Yale Review, and others. His new book, Crow-Work is forthcoming in 2015. Pankey is Heritage Chair in Writing at George Mason University.
Daniel Miller’s work has appeared in Conjunctions, Puerto del Sol, and Zone 3, among other publications, and has been nominated for the Pushcart Prize.
Born in Russia, A. Molotkov moved to the US in 1990 and switched to writing in English in 1993. His poetry collection, The Catalog of Broken Things, is just out from Airlie Press. Published by Kenyon, Iowa, Cincinnati, Massachusetts, Atlanta, Tampa, Raleigh, New Orleans and Cider Press Reviews, Pif, Volt, Ruminate, 2 River and many more, Molotkov is winner of various fiction and poetry contests and a 2015 Oregon Literary Fellowship. His translation of a Chekhov story was included by Knopf in their Everyman Series. He co-edits The Inflectionist Review. Please visit him at AMolotkov.com.
Ronit Feinglass Plank’s work has appeared in The American Literary Review, Salon, Best New Writing 2015, Proximity, and The Iowa Review (runner up, The 2013 Iowa Review Award for Fiction), among others. Her story “Gibbous” was a Narrative 2014 Winter Short Story Contest finalist and won the Eric Hoffer Award for Short Prose. She earned her MFA in nonfiction at Pacific University and is currently working on a memoir.
Matthew Purdy’s work has appeared in journals such as One Story, the Mississippi Review, Quick Fiction, the Iron Horse Literary Review, the Mid-American Review, and Best New American Voices 2005, guest edited by Francine Prose. Purdy is the recipient of an AWP Intro Journals Award and received a PhD in English and Creative Writing from Texas Tech University. Currently, Purdy lives, writes, and teaches in Boston.
Charles Rafferty has published poems in The New Yorker, Prairie Schooner, and The Southern Review. In 2009, he received a creative writing fellowship from the NEA. Rafferty’s tenth collection of poems, The Unleashable Dog, has just been published by Steel Toe Books. His collection of flash fictions, Saturday Night at Magellan’s, was published by Fomite Press. Charles currently directs the MFA program at Albertus Magnus College.
Brad Rose was born and raised in Los Angeles and lives in Boston. He is the author of three collections of poetry and flash fiction, Pink X-Ray (Big Table Publishing, 2015), de/tonations (Nixes Mate Press, 2020), and Momentary Turbulence (Cervena Barva Press, 2020). His fourth collection, WordinEdgeWise, is forthcoming in 2021 from Cervena Barva Press. Five times nominated for a Pushcart Prize, and twice nominated for Best of the Net Anthology, his poetry and micro fiction have appeared in, The Los Angeles Times, The American Journal of Poetry, Clockhouse, Hunger Mountain, Sequestrum, Folio, decomP, Lunch Ticket, 45th Parallel, The Baltimore Review, Cultural Weekly, Into the Void, Miracle Monocle, Right Hand Pointing, and other publications. His story, “Desert Motel,” appears in the anthology Best Microfiction, 2019.
Helen Ruggieri is the author two books of poetry – The Kingdom Where Everybody Sings Off Key and Butterflies Under a Japanese Moon. She has an MFA from Penn State and recent creative nonfiction publications in journals including The Citron Review, Frogpond, and Haibun Today. Like much of Ruggieri’s writing, “Dead End” is a mixture of Japanese haibun and nonfiction; in this case, each section is inspired by actual events.
Sara Ryan is a third-year poetry MFA candidate at Northern Michigan University and an associate poetry editor for Passages North. Her work has been published in or is forthcoming from Tinderbox, Slice Magazine, New South, Third Coast, Fairy Tale Review, The Blueshift Journal, Yemassee, Third Point Press and others. Her chapbook, but pink but want but blue, was a finalist in the Slapering Hol Press 2017 Chapbook Competition.
Daniel Schifrin’s fiction and essays have appeared, among other places, in McSweeney’s, the Los Angeles Times, San Francisco Chronicle, Westwind, Jet Fuel Review, Transfer, Hinchas de Poesia, and em. He has a been a visiting scholar at Stanford University, writer-in-residence at the Contemporary Jewish Museum, and a co-curator for the San Francisco Museum of Modern Art exhibition “Beyond Belief.”
Richard Schmitt has published fiction and nonfiction in Arts & Letters, The Best American Essays, Blackbird, The Gettysburg Review, Gulf Coast, The North American Review, Puerto del Sol, Shenandoah and other places. Schmitt is the author of The Aerialist, a novel (Harcourt 2001).
Adam Schuitema is the author of the short-story collection Freshwater Boys (Delphinium/HarperCollins) and the novel Haymaker (Switchgrass, 2015). “Mercy, Mercy, Me” is the closing piece from his new collection, The Things We Do That Make No Sense (Switchgrass Books). Adam’s work has appeared in numerous magazines, including Glimmer Train, the North American Review, The Southern Review, Indiana Review, and Triquarterly.
Claire Scott is an award-winning poet who has been nominated twice for the Pushcart Prize. She was also a semi-finalist for the Pangaea Prize and the Atlantis Award. Claire was the grand prize winner of The Maine Review’s 2015 White Pine Writing Contest. Her first book of poetry, Waiting to be Called, was published in 2015. She is the co-author of Unfolding in Light: A Sisters’ Journey in Photography and Poetry.
Jennifer Sears’ fiction and non-fiction has appeared or is forthcoming in Fiction International, Barrelhouse, Ninth Letter, Fence, So to Speak, Mr. Beller’s Neighborhood, The Boston Globe, Gilded Serpent Journal of Middle Eastern Dance and Music, and other publications. She teaches yoga, belly dance, and writing in New York City.
Kerrin Piché Serna received the 3rd place prize in the 2014 Raymond Carver Short Story Contest from Carve Magazine. It was judged by her favorite writer, Aimee Bender. Kerrin’s fiction has also appeared in Rosebud Magazine, The Portland Review, and The Los Angeles Times, among others. She holds a BA in Communications from the University of California, San Diego, and has worked as a Disney performer, professional videographer, and, currently, a writer and Etsy artist. She lives in Fullerton, California with her husband and Ophelia the spoiled Shih Tzu.
Marian Kaplun Shapiro is the author of a professional book, Second Childhood (Norton, 1988), a poetry book, Players In The Dream, Dreamers In The Play (Plain View Press, 2007) and two chapbooks: Your Third Wish, (Finishing Line, 2007);and The End Of The World, Announced On Wednesday (Pudding House, 2007). She adores her two weeks in Paris with her true love – her husband of 55 years – every September. A resident of Lexington, she was named Senior Poet Laureate of Massachusetts in 2006, in 2008, in 2010, 2011, and 2014. She was nominated for the Pushcart Prize in 2012.
Ross Showalter’s work has appeared or is forthcoming in places like Strange Horizons, F(r)iction, Cape Cod Poetry Review, Hobart, Portland Review, and elsewhere. Ross is a graduate of Portland State University’s B.F.A. program in creative writing. Showalter lives near Seattle.
R.T. Smith’s stories have appeared in Best American Short Stories, New Stories from the South, Esquire, The Atlantic, Poetry, The Kenyon Review, and others. Smith has published four short story collections, most recently Sherburne (National Magazine Award for Fiction), and fourteen books of poems, most recently In the Night Orchard: New and Selected Poems. Three times he has won the Library of VA Poetry Book of the Year Awards. Smith is the former editor of Southern Humanities Review and current editor of Shenandoah.
Will Stockton holds a PhD from Indiana University and teaches English at Clemson University. He writes books and essays about how people in the Renaissance had sex, and poetry about how modern people do. With D. Gilson, he is the author of Crush (Punctum Books) and Gay Boys Write Straight Porn (Sibling Rivalry Press). His poems have appeared in journals including Assaracus, Bloom, Fourth River, PANK, and Weave.
Marilyn L. Taylor, former Poet Laureate of the state of Wisconsin and the city of Milwaukee, is the author of six poetry collections. Her poems and essays have appeared in many anthologies and journals, including Poetry, American Scholar, Measure, Able Muse, Poemeleon, Light, Ted Kooser’s “American Life in Poetry” column, and the Random House anthology, Villanelles. She has been awarded First Place in contests sponsored by Winning Writers (the 2015 Margaret Reid Award) The Atlanta Review, Passager, The Ledge, Dogwood, and the GSU Review. Marilyn taught poetry and poetics for fifteen years at the University of Wisconsin-Milwaukee and served for five years as a Contributing Editor for THE WRITER.
S. P. Tenhoff’s writing has appeared in Conjunctions, The Antioch Review, American Short Fiction, The Southern Review, The Gettysburg Review, Electric Literature’s Recommended Reading, and elsewhere. He is the recipient of Columbia University’s Bennett Cerf Memorial Prize for fiction, and is a recent finalist for the Mary McCarthy Prize, the Calvino Prize, and the Autumn House Fiction Prize, among other awards.
J. T. Townley has published in Collier’s, Harvard Review, Hayden’s Ferry Review, Prairie Schooner, The Threepenny Review, and other magazines and journals. He holds an MFA in Creative Writing from the University of British Columbia and an MPhil in English from Oxford University. Townley teaches at the University of Virginia.
Kimi Traube’s short fiction and translations have appeared in Bomb Magazine, Electric Literature, the Best of the Net Anthology, and elsewhere. The 2020 Pamet River Prize highlighted my novel in prose poems as a semi-finalist. My translation of Juan Villoro’s The Guilty garnered praise from the New York Times and the L.A. Times. Traube completed her M.F.A. at Columbia University in 2014.
Emily Vizzo is a San Diego writer, editor, and educator currently serving as AME for Drunken Boat. She also volunteers with VIDA, Poetry International, and Hunger Mountain. Vizzo’s poems have been published or are forthcoming in FIELD, The Journal, The Normal School, and North American Review. She received note for an essay in Best American Essays 2013. Vizzo has an MFA from Vermont College of Fine Arts, and teaches yoga at the University of San Diego.
Sara Moore Wagner lives in West Chester, OH with her husband and three small children. She is the recipient of a 2019 Sustainable Arts Foundation award, and the author of the chapbook Hooked Through (Five Oaks Press, 2017). Her poetry has appeared or is forthcoming in many journals including Poet Lore, Waxwing, The Cincinnati Review, and Nimrod, among others. She has been nominated multiple times for the Pushcart prize, and Best of the Net.
Suzanne Warren is a Seattle-based fiction writer and essayist whose work appears or is forthcoming in Narrative, Gulf Coast, Post Road, Versal, and The Cincinnati Review. Writing awards include fellowships at the Virginia Center for the Creative Arts and the Ucross Foundation. She teaches at the University of Puget Sound and is currently at work on a collection of short stories entitled Bad Gift.
KA Webb teaches at UAB and edits for an atl-weekly in Birmingham, Ala. where she was nominated for the Pulitzer Prize for an investigative series on the Girl Scouts and trends in closing camps. Webb holds an MFA from UNCW, and in addition to several Southern news outlets, her work has appeared or is forthcoming in North American Review, Arts & Letters, Jabberwock Review, Quarter After Eight, So to Speak, and others.
Lori White earned her MFA in Creative Writing from Antioch University Los Angeles. Her story, “Gambling One Ridge Away” won first place in the 2013 Press 53 Open Award for Flash Fiction. Recent work has appeared in The Journal Online, Kenyon Review Online, and Pithead Chapel. She teaches English at Los Angeles Pierce College.
John Sibley Williams is the author of eight collections, most recently Controlled Hallucinations (FutureCycle Press, 2013). Four-time Pushcart nominee, he is the winner of the HEART Poetry Award and has been a finalist for the Rumi, Best of the Net, and The Pinch Poetry Prizes. John serves as editor of The Inflectionist Review and Board Member of the Friends of William Stafford. A few previous publishing credits include: American Literary Review, Third Coast, Nimrod International Journal, Rio Grande Review, Inkwell, Cider Press Review, Bryant Literary Review, Cream City Review, RHINO, and various anthologies. He lives in Portland, Oregon.
Dallas Woodburn is a 2013-14 Steinbeck Fellow in Creative Writing at San Jose State University. A three-time Pushcart Prize nominee, she recently won second place in the American Fiction Prize and her work is forthcoming in American Fiction Volume 13: The Best Unpublished Short Stories by American Writers (New Rivers Press). Her short story collection was a finalist for the 2012 Flannery O’Connor Award for Short Fiction; individual stories have appeared in Superstition Review, The Nashville Review, Louisiana Literature, Ayris, and Monkeybicycle, among others. She has been honored with the international Glass Woman Prize, the Brian Mexicott Playwriting Award, and a merit scholarship to attend the Key West Literary Seminar. A former fiction editor of Sycamore Review, she also served as editor of the anthology Dancing With The Pen: a collection of today’s best youth writing. Woodburn graduated with her MFA in Fiction from Purdue University and received her B.A. in English/Creative Writing from the University of Southern California, where she studied under Aimee Bender. She is also the founder of Write On!